Time Slip is always up to date. It is a programmed generative artwork.

For the spectator, it is as if he was projected in the past of a few hours and that someone told him the future: feeling of going back in time. Or for someone who would not already know the news, it would be like if an oracle would predict the future: feeling of anxiety or of perverse full power. In all cases it is a work that unsettles and generates uneasiness by introducing a crack in the flow of time. All the more because it uses graphic codes and display contexts usually attached to real news.

Time Slip is a visual artwork referring to philosophical questionings on destiny, its potential pre-written nature or its causal determinism, and in the end, a work on free will. It confronts the spectator to the control of his own destiny in a universe where time and its causality can slip. It is also a work on the motive energy of unpredictability and risk, more
and more central in the contemporary world.

There is still an escape door for the spectator through the realization of the essential vanity of this system which pretends to know what will happen, but which in fact knows nothing. But this door is not easy to find.