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Nelisiwe Xaba
Monday, August 22nd 2011
at 8pm:
Sakhozi Says “NON” to the Venus
at 9pm:
Plasticization
Festival Mladi levi
Stara mestna elektrarna – Elektro Ljubljana
Slomškova 18, Ljubljana, Slovenia
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Photo by Suzy Bernstein |
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The Exotic Will Always Be Defined by the One Who Holds the Power
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Photo by Suzy Bernstein |
A dancer and a choreographer Nelisiwe Xaba was born in Soweto, South Africa, she studied at the
Johannesburg Dance Foundation and went on to futher study dance at Ballet Rambert in London.
Before starting to create her own performances, she had danced in South Africa for Pact Dance
Company and had also worked with a choreographer Robyn Orlyn.
She created her solo performance entitled Sakhozi says “NON” to the Venus inspired by Sarah
Baartman (1790-1815), a South African woman from the Khoikhoi tribe, who had been displayed
in the 19th century circuses and exhibition shows across London and Paris under the pseudonym
Hottentot Venus. Her most intimate bodily parts had been studied by natural scientists and
biologists during her lifetime and, following her death, parts of her organs as well as her skeleton
had been exhibited in the Parisian Musee de l'Homme until 1974. Nelson Mandela requested of
France to return her posthumous remains for several years until at long last his request was granted
in 2002, which is also when she was finally buried in her home soil more than 200 years after her
death. The story of Sarah Baartman stands as a symbol of all the suffering that African women had
to endure during the colonialism era and still go on enduring on everyday basis in the present day
time.
Nelisiwe melted together her own biography on the one hand and Sarah Baartman’s on the other,
thus giving birth to an ironic and politically engaged dance solo. It is about a woman and her trip to
Europe, where she is allowed to stay only if she becomes a museum artefact for a while. This
performance doesn’t merely address the issue of exotic voyeurism, but also points out the increase
with regard to the present day xenophobia, which can be seen in the president Sarkozy’s (Sakhozi)
idea to give the Africans some sort of a financial compensation in return for their departure from
France.
Her second performance this evening entitled Plasticization is a breathtaking and humorous solo,
which tackles the subject of the body and the contemporary attitude towards it. It speaks of the
body’s freedom as well as its entrapment, it speaks of erotica as well as politics. The author
changes several identities in the course of the performance by the minimal usage of instruments
and says that this performance is essentially about the ambivalent love-hate relationship that we
have towards the plastic: it protects us on the one hand, but nature is unable to digest it on the other.
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Sakhozi Says “NON” to the Venus (25 minutes)
Director: Toni Morkel
Performer and choreographer: Nelisiwe Xaba
Sound and music: Mocke J Van Veuren
Video: Lukasz Pater
Plasticization (20 minutes)
Choreography and dance: Nelisiwe Xaba
Costume: Strange Love
Music: “Chorus of slave the girls” (A. Borodin), “Jesus, Joy of Man’s desiring” (J. S. Bach), “Anvil
Chorus” (G. Verdi), ”Lacrimosa (Requiem)” (W.A Mozart)
Production: Aksioma – Institute for Contemporary Art, Ljubljana, 2011
Coproduction: Bunker
Supported by The Ministry of Culture of the Republic of Slovenia and the City of Ljubljana - Department of Culture
Sponsor: Datacenter d.o.o.
Contacts:
Aksioma - Institute for Contemporary Art, Ljubljana
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