For the exhibition in Ljubljana, Bartholl - in collaboration with Aksioma - will use concrete to build a 1:1 scale replica of three stacked wooden crates at an undisclosed location near Postojna. Documentation of the intervention will be available at the show together with plans and models (1:100 scale) of Dust. Made of different materials, machine produced and hand crafted, the models represent the first step in physical cultural heritage of the computer game age.

The main project will be accompanied by other recent works that thematise the relationships between net data space and public everyday life. In which form does the network data world manifest itself in our everyday life? What returns into physical space from cyberspace? How do digital innovations influence our everyday actions? These and other questions are raised by works such as: Open Internet (2012), a public intervention and light installation in which coloured LED signs, commonly used in stores, are combined and given a new purpose of delivering a message of freedom and openness; 15 Seconds of Fame (2009), a photo series in which the artist follows (and is shot by) a Google Street View car crossing the Berlin Mitte, playfully turning an inflamed public debate about privacy and surveillance into a spontaneous, joyful, over-affirmative act of self-exposure; video documentation of the F.A.T. Lab's public intervention How to Build a Fake Google Street View Car (2010), in which a fake Google car was made and sent around Berlin during the transmediale festival; and First Person Shooter (2006), a postcard that is also a do-it-yourself kit with instructions how to make a pair of glasses bearing the arm with the weapon, which represent the player in most First Person Shooter games.