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BRAINLOOP FOR VIRTUAL LIVENESS [ITA]
An interview with Janez Janaša by Marco Mancuso
Digimag, Connected Live Art
March 2007

I'm like a sniffing dog [ENG]
An interview with Nicole Blackman by Mojca Kumerdej
Delo, Kultura
September 21st 2005


RE:akt!

1. Ich Lubbe Berlin!
2. Das KAPITAL
3. C'était un rendez-vous
4. VD as VB
5. Mt Triglav on Mt Triglav
6. Synthetic Performances
7. SS-XXX | Die Frau Helga

 
 
>> Text/Interviews
 
  Aesthetic Body
Uroš Korenčan

Excerpts from Maska, Magazine for scenic arts
num. 3, 1999, page 87, 89

Overturnment / Nuclear Body is clear-cut representation of body dematerialization through the processes of medical scanning.
What happens is actually digitalization of bio systems in the artist's body (for instance nervous system, bone structure, veins and arteries...), this bio data is later combined through procedures of computer manipulation. Through this process a new information entity is created, one, that contains all bio data of human (artists) body at specific moment of taking samples. In informational sense whole transformation process creates new body - virtual body.
Process itself - of collecting needed data, is shown to us in the 7 minutes long video. The climax of it is injection of radioactive isotopes -this, dissolved and distributed in the body systems, are the real transfer of picture, that can be seen with assistance of medical gears and equipment.
So by undertaking the tests artist confronted classical body art form through artistic process and the exhibited product contains only body in mediated form, artist doesn't appear live in front of us.
If the thing we observe on video can be called the transcendence of a body into higher - digital state, the moment of this "Event" is symbolized with floated passage of Nuclear Body through the retina of the eye, this is also the end of video clip.
Bodies breakthrough the retina instructs us to go to the other space, where this body of a higher state can be observed in metal chamber. A new body is identical (in sense of information data) to body of artist, on the day of medical examinations. All the data collected is changed into image that is materialized in fluid, untouchable state of fog. In creating his eternal youth image artist had free hands, so he was able to point out all aesthetic elements. Therefor we can say, that virtual body is mainly aesthetic body, because relation body - machine peels out mainly aesthetic components.
In our quest for body that would be free and independent from natural laws, that would be eternal and without weight, Nuclear Body seems to be on the right path.
In the framework of installation it lives its short cyclic life, of course, cyclic for us. To prove us that it's still there, that it didn't escape somewhere else, that it's not doing something, we didn't plan it to.

 
 


DemoKino
Virtual Biopolitical Agora


Edited by Ivana Ivković and Janez Janša, TRANSformacije series.

A textual and pictorial reader, a follow-up of Janez Janša's DemoKino - Virtual Biopolitical Agora, combining Dejan Dragosavac Ruta's redesign of the visual and textual material of the original DemoKino project with texts from Antonio Caronia, Marina Gržinic, Leonardo Kovacevic, Bojana Kunst, Tomislav Medak, Petar Milat and Aldo Milohnic providing a theoretical, artistic and social context.

Published by Maska and Aksioma
2006
 
SELECTED PROJECTS
 
DemoKino
Virtual Biopolitical Agora

Brainloop
a media performance driven by thoughts

Infocalypse Now!
initiative for the establishment of an autonomuos madiatic zone

Problemarket.com
the Problem Stock Exchange

paraSITE [ENGL] [SLO]
TEST BALLOT [ENGL] [SLO]
Examining the Faulty Machinery of Democracy

Visions of Excess
The Courtesan Tales
The project BAST
SilentCell Network