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BRAINLOOP FOR VIRTUAL LIVENESS [ITA]
An interview with Janez Janaša by Marco Mancuso
Digimag, Connected Live Art
March 2007

I'm like a sniffing dog [ENG]
An interview with Nicole Blackman by Mojca Kumerdej
Delo, Kultura
September 21st 2005


RE:akt!

1. Ich Lubbe Berlin!
2. Das KAPITAL
3. C'était un rendez-vous
4. VD as VB
5. Mt Triglav on Mt Triglav
6. Synthetic Performances
7. SS-XXX | Die Frau Helga

 
 
>> Text/Interviews
 
  Ballettikka RealVideo Internettikka
Janša - Štromajer - Zorman

[SLO]

Who was pulling the strings of Chechen terrorist leader?
- The Observer

Ballettikka RealVideo Internettikka is the third self-contained action in the tactical project Ballettikka Internettikka, which began in 2001 with the exploration of Internet ballet. The second installment, in March 2002, consisted in Štromajer and Zorman carrying out an illegal ballet invasion in Moscow’s Bolshoi Theater and transmitting it live on the Internet. Now, in the third part, Janša, Štromajer and Zorman have brought together two Moscow performative acts: the ballet break-in in the Bolshoi and the Chechen terrorist act in the Dubrovka Theater in October 2002. The condensed version of Ballettikka RealVideo Internettikka consists of a video with Morse-code dramaturgy and an Internet Training Center for art-terrorism.

Moscow, as a juncture of avant-garde movements and political symbolism, unites the two actions: the homicidal–suicidal terrorist act represents the ritual manifestation of the intimate sacrifice of one’s own body, as well as of those of others, while ballet represents a strategic sacrifice of the dancer’s body as it is honed into a flawlessly functioning machine. “Terrorism is theater,” Brian Jenkins tells us, but in the end, all aesthetic norms are abandoned and all that is left is tactics, both in art and terrorism.

Ballettikka RealVideo Internettikka makes a contribution to the misunderstanding of contemporary postmodern terrorism and democracy’s fear of fanatic devotion; it represents a fascination with criticism of the system and with appeals to the beauty of dying. Through performative disturbances of the electronic medium, which opens itself up to emotion and the flesh of the body, identity is transformed. “We’ve come here to die!” proclaimed Barayev, the Chechen terrorist leader, as the group disrupted the Moscow performance of the musical Nord-Ost. “We’ve come here to dance,” wrote Štromajer, as an Internet link was established with the Bolshoi Theater and the wireless ballet began, seven months before Barayev’s dying.

 


DemoKino
Virtual Biopolitical Agora


Edited by Ivana Ivković and Janez Janša, TRANSformacije series.

A textual and pictorial reader, a follow-up of Janez Janša's DemoKino - Virtual Biopolitical Agora, combining Dejan Dragosavac Ruta's redesign of the visual and textual material of the original DemoKino project with texts from Antonio Caronia, Marina Gržinic, Leonardo Kovacevic, Bojana Kunst, Tomislav Medak, Petar Milat and Aldo Milohnic providing a theoretical, artistic and social context.

Published by Maska and Aksioma
2006
 
SELECTED PROJECTS
 
DemoKino
Virtual Biopolitical Agora

Brainloop
a media performance driven by thoughts

Infocalypse Now!
initiative for the establishment of an autonomuos madiatic zone

Problemarket.com
the Problem Stock Exchange

paraSITE [ENGL] [SLO]
TEST BALLOT [ENGL] [SLO]
Examining the Faulty Machinery of Democracy

Visions of Excess
The Courtesan Tales
The project BAST
SilentCell Network